Tanya Harrod trained as an art historian at the Universities of York and Oxford. She is the author of the prize-winning The Crafts in Britain in the Twentieth Century (Yale University Press 1999). She has organised many exhibitions and contributes regularly to The Burlington Magazine, The Spectator, Crafts and The Times Literary Supplement. She is currently completing a biography of the potter Michael Cardew for Yale University Press and is researching a broadly-based study of the meaning of the handmade for Reaktion Books. Her latest book is Ann Stokes: Artists’ Potter, a study of an unusual, largely self-taught ceramicist with a devoted following in the British fine art world (Lund Humphries 2009).
Her current interests include the vernacular in relation to modernism, art education in sub-Saharan Africa in the colonial period, and the effect of the New Media on the applied arts. She is on the Advisory Panel of the Journal of Design History, of The Burlington Magazine and of Interpreting Ceramics and is Advisor to the Craft Lives Project based at the National Sound Archive of the British Library. She is a member of the International Association of Art Critics and of the London-based Critic’s Circle. In 1999 she was given Ceramics Arts Foundation Award for distinguished service to the Ceramic Arts. She is a Visiting Professor at the Royal College of Art, London and research fellow at Bath Spa University, Bath. Along with Glenn Adamson and Edward S. Cooke she is the editor of The Journal of Modern Craft. |